Various poetry out loud number three -

Keats had spent the autumn almost constantly with Tom and saw few of his friends. On 1 December 1818, the day of Tom’s death, Charles Brown invited Keats to come live with him at Wentworth Place, now the Keats House, Hampstead. It was a double house Brown had built with his friend Charles Dilke, who lived with his wife in one half. In the previous summer while he was away, Brown rented his side of the house to a widow, Mrs. Frances Brawne, and her three children, the oldest of whom, Fanny, was just eighteen. They later continued to visit the Dilkes at Wentworth. Here, probably in November, Keats met Fanny. This house, with Brown a constant companion, and the Dilkes and later Fanny and her mother renting next door, would be Keats’s last real home in England.

Poetry that doesn't rhyme doesn't need to be free verse, though. Many poets keep a structured meter pattern but do not rhyme the lines. This is usually called blank verse. The fixed meter usually means a set number of syllables per line and/or a consistent pattern of stressed syllables. If you are looking to make your poetry flow well and sound consistent, using meter is often a great way to do this.

Let's look at some examples: The first 13 lines of Andrea del Sarto by Robert Browning:

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,--but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if--forgive now--should you let me sit

This poem follows pentameter--each line has ten syllables.

Another (a long one):

by Robert Frost

This is iambic pentameter: iambic means that every other syllable is stressed, starting with the second syllable. So the second, fourth, sixth, eighth, and tenth syllables of every line are stressed.

If you like blank verse, check out "Paradise Lost" by John Milton or
Alfred Lord Tennyson

Various Poetry Out Loud Number ThreeVarious Poetry Out Loud Number ThreeVarious Poetry Out Loud Number ThreeVarious Poetry Out Loud Number Three